//_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/
//
// 「HALEY」
//
// 作曲:ななこっち★ @1986/??/??
// 著作者:旺文社(注:製作者のみ使用許諾済)
// MMLかき:ななこっち★ @2013/09/28
// MMLかきなおし:ななこっち★ @2013/09/28
// MMLさらにかきなおし:ななこっち★ @2015/01/07
// ライセンス:転載禁止、改変禁止
//
// 奨励音源
// TiMidiTy
// http://www.daiba.cx/TiMidity%2b%2b/
// ※音源 2013/10/03版ですが、巨大なため、まだアップロードしていません
//
//_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/
// 旺文社&ソニーテープ大賞受賞曲を再現したものです。
// 音は結構間違っています。
// この曲の最大のテーマである発進音もどき(FM音源)もありません。
// 本来なら45小節に入ります
// エンディングは、完全に記憶がないため、模造しています。
// サウンドフォントは、ドラムとピアノ、トランペット以外、可能な限り、
// FX-1に近い物を選定しています。
//_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/
// 原曲の楽器
// YAMAHA FX-1 ×2
// YAMAHA DX-7 ×2
// 生ドラム
//
// 使用したSoundFont
// GMR Basico
// JClive
// Atomic
// Titanic
// Piano_Yamaha_DX7
// Giant
// FluidR3
// Evanessence2
// acoustic_grand_piano_ydp_20080910
// Famicom
// drumkit1.3XG
// その他・・・
// ↑容量的にはかなり贅沢ですが、費用的にはタダです
// 32bitパソコンで、全部メモりに読み込めば、パンクします
//_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/
// ちょいと・・・
// これだけの長さの曲ではありますが、記憶がほぼはっきりしていたためか
// 入力は8時間30分程度でほとんど終わってます。 (TiMidiTy++の音色定義も含めて)
// 本来のハレー彗星の綴りは Halleyですが、
// 「HALEY」の曲名で、「ハレー」で間違いありません。
//
// YAMAHAで子供の時に作曲して、まともな曲だったら、JOC出れるはずなんですが
// これは出ていません。。。(大賞応募前です)
// (実際には、3人用→10人用にアレンジをして、ピアノのグループレッスンメンバー
// 10名で発表会で演奏しました。。。)
//
// 最初のほうのピコピコ音は、DX-7のピッチエンベロープを再現したものです。
//
// そういうわけですが、、実は・・・
// わざわざテープ大賞の為に作った曲でないことだけは、明かしておきます。
//
// 今回のは、試しに4分割して作ってみました。
// 分割して、後で結合 (Time文を使って)すると、かなり制作の効率が上がるようです
// 「///////////////」とあるのが、その分割の区切れです。
//_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/
// 第1フェーズ制作開始:2013/09/28 18:00
// 第2フェーズ制作開始:2013/09/28 18:25
// 第3フェーズ制作開始:2013/09/28 23:45
// 第4フェーズ制作開始:2013/09/29 00:57
// 結合フェーズ制作開始:2013/09/29 01:50
// (会社(仮称)サーバートラブルのため、一時休止)
// 調整フェーズ制作開始:2013/09/29 04:30
// MML完成 :2013/09/29 14:30
// 有料販売用データ完成:2015/01/07 12:07
//_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/
Tempo 100
System.TimeBase=10368
Expression.Frequency(1);
Modulation.Frequency(1);
#PEDALON={Sub {r16y64,127}}
#PEDALOFF={r-32 y64,0 r32}
Function RandV(Int MIN, Int MAX) {
Str MML="v"
MML=MML+Random(MIN,MAX)
// Print(MML)
MML
}
Function RandR(Int MIN, Int MAX) {
Str MML="r"
Int VALUE=Random(0,10)
IF(VALUE<5) {
MML=MML+"-"
}
MML=MML+Random(MIN,MAX)
// Print(MML)
MML
}
Function BG(Str MML) {
Str BUF=""
Str FIRST=""
Str ML=""
Str M
Str R
Str FM
Int C=0
BUF=""
R=""
For(Int i=1; MID(MML, i, 1)!=""; i++) {
M=MID(MML, i, 1)
// Print("Count "+ C + " Str="+M)
IF(M="a"||M="b"||M="c"||M="d"||M="e"||M="f"||M="g") {
C++
IF(C<3) {
FIRST=ML
ML=FM+M
FM=""
} ELSE {
R=R+"r"+Random(144,384)
BUF=BUF+"Sub" + CHR(123)+R+ML+CHR(125)
ML=M
}
} ELSE {
IF(C>0) {
ML=ML+M
} ELSE {
FM=FM+M
}
}
}
BUF="Sub"+CHR(123)+FIRST+CHR(125)+BUF+"Sub"+CHR(123)+R+ML+CHR(125)+"r"
// Print(BUF)
// IF(GAKUHU=1) {
// BUF="'"+MML+"'"
// }
BUF
}
Function BF(Str MML) {
Str BUF=""
Str FIRST=""
Str ML=""
Str M
Str R
Str FM
Int C=0
MML=#STR(RandV(70,90))+MML+">"+#STR(RandV(70,90))+MML+"<"
BUF=""
R=""
For(Int i=1; MID(MML, i, 1)!=""; i++) {
M=MID(MML, i, 1)
// Print("Count "+ C + " Str="+M)
IF(M="a"||M="b"||M="c"||M="d"||M="e"||M="f"||M="g") {
IF(C>0) {
FIRST=ML
ML=FM+""+M
FM=""
} ELSE {
IF(RATE>0) {
IF(RATE=1) {
R=R+"r"+Random(100,512)
} ELSE {
IF(RATE=2) {
R=R+"r"+Random(84,384)
} ELSE {
IF(RATE=3) {
R=R+"r"+Random(45,384)
} ELSE {
R=R+"r"+Random(30,192)
}
}
}
} ELSE {
R=""
}
BUF=BUF+"Sub" + CHR(123)+R+ML+CHR(125)
ML=""+M
}
C++
} ELSE {
IF(C>0) {
ML=ML+""+M
} ELSE {
FM=FM+""+M
}
}
}
BUF=BUF+"Sub"+CHR(123)+R+ML+CHR(125)+FIRST
// Print(BUF)
BUF
}
//////////////////////////////////////////////////////////////////////////////
TR(1)
REV(127)
Voice(Vibraphone)
v90
o5
#PEDALON
r1
l32
fa>ce g2.<
dfa>ce2.<
<b->dfa>c1<
<<
b-4>d6f6a7
b-8>d7f6a6
b-5>d5f4a5^1
#PEDALOFF
#PEDALON
r4
l32
dfa>ce2.<
<b->dfa>c2.<
<gb->dfa2.<
<<
g4b-6>d6f7
g8b-8>d7f6
g5b-4>d3f4^1
#PEDALOFF
Tempo 110
TR(2)
REV(127)
Voice(Strings2)
v70
o5l40
[12 r1]
#PEDALON
r1
[5 [4 fa>cec< ] ]
#PEDALOFF
#PEDALON
[2 [3 eg#b>d<b ] ]
#PEDALOFF
#PEDALON
[2 [3 dfa>c<a ] ]
#PEDALOFF
#PEDALON
Tempo 95
[11 c#e#g#bg# ]
#PEDALOFF
[3 rrrrr ]
r-4r-32
Tempo 110
l32
#PEDALON
[4 [4 g>ceg< ] ]
#PEDALOFF
#PEDALON
[4 [4 fb->df< ] ]
#PEDALOFF
#PEDALON
[4 [4 g>ceg< ] ]
#PEDALOFF
#PEDALON
[4 [4 fb->df< ] ]
#PEDALOFF
#PEDALON
[4 [4 b->e-gb-< ] ]
#PEDALOFF
#PEDALON
[4 [4 a->d-fa- < ] ]
#PEDALOFF
#PEDALON
[4 [4 b->e-gb-< ] ]
#PEDALOFF
#PEDALON
[4 [4 a->d-fa- < ] ]
#PEDALOFF
#PEDALON
[4 [4 g>ceg< ] ]
#PEDALOFF
#PEDALON
[4 [4 fb->df< ] ]
#PEDALOFF
#PEDALON
Tempo 105
[4 [4 g>ceg< ] ]
Tempo 100
[4 [4 g>ceg< ] ]
Tempo 90
Sub {Expression.onTime(127,0,!1) }
[3 [4 g>ceg< ] ]
#PEDALOFF
TR(3)
REV(127)
v115
Voice(Flute)
o5
[12 r1]
[6 r1]
r8-r32
l8q100
g4.>g
l4
g1^4<g>ce
Sub {r1r1r1 Expression.onTime(127,0,!1) }
f2e2d2c4<g4
^1^2r4
r1r2.
<<
Expression(127)
v110
Voice(Oboe)
b-4.>b-8
b-1^<b->e-g
Sub {r1r1r1 Expression.onTime(127,0,!1) }
a-2g2f2e-4b-4
^1^2r4
r1r2.
v120
Expression(127)
Voice(Piccolo)
o6
g4.>g8
l4
g1^4<g>ce
Sub {r1r1r1 Expression.onTime(127,0,!1) }
f2e2d2c4g4
^1^2r4
r1r2.
#pt={
Sub {
Expression(127)
y100,0
y101,0
y6,24
o6
Sub {Expression.onTime(100,127,!1.,127,100,!1.,100,0,!1) }
p.onTime(64,32,!2.,32,127,!1.,127,48,!1.)
c1^1^1^1
} r1r1
}
TR(4)
REV(127)
v107
Voice(SquareLead)
o5
[22 r1]
r4r4
q100
l16
o5 #pt
[6 r1]
o5 #pt
[6 r1]
o5 #pt
r1
TR(5)
REV(127)
v115
Voice(SquareLead)
o5
[22 r1]
r4r4
q100
l16
Key(8)
o5 #pt
[6 r1]
o5 #pt
[6 r1]
o5 #pt
r1
Key(0)
//////////////////////////////////////////////////////////////////////////////
Tempo 180
#introbrass={
Tempo 180
l8 q90 b q80ag> q90 c q80 <ba> q90 dq80 c <b> q90 e q80 dc l12 q90 fed gfe
l8 q90 c q80<b-a-> q90 d- q80 c<b-> q90 e-q80 d- c q90 f q80 e-d- l12q90 gfe- a-gf
l8 q90 d q80c<b-> q90 e- q80 dc q90 f e- d q90 g q80 fe- l12q90 a-gf b-ag#
l6
q85
Tempo 175
gg#a
Tempo 170
a#b>c
Tempo 165
c#dd#
Tempo 160
eff#
q90
Tempo 120
l4g
Tempo 110
g#
Tempo 100
a
Tempo 90
a#
Tempo 80
b1
Tempo 180
Sub{l4 'ce>c<'<}
}
#introbass={
l4. gggg g4g4
l4. a-a-a-a- a-4a-4
l4. b-b-b-b- b-8b-8a8g#8
l6
gf#f ed#d c#c<b a#ag#>
l4
gf#fed1
}
#mbc1={
crrgrr>cr<
}
#mcc1={
[2 r[2 BG(g>ce<)] ] r BG(g>ce<)
}
#mb1={
#mbc1
b-rrfrrdr
}
#mc1={
#mcc1
[2 r[2 BG(fb->d<)] ] r BG(fb->d<)
}
#mb2={
e-rrb-rr>e-r<
crrgrr>cr<
}
#mc2={
[2 r[2 BG(gb->e-<)] ] r BG(gb->e-<)
[2 r[2 BG(gb->e<)] ] r BG(gb->e<)
}
#mb3={
frr>crrfr<
f#rr>crrf#r<
errbrr>er<
arr>errar<
[2 drrarr>dr< ]
[2 grr>drrgr< ]
}
#mb4={
frr>crrfr<
f#rr>crrf#r<
errbrr>er<
arr>errar<
[2 drrarr>dr< ]
g4.g4.g4.g4.g4g4
g4.g4.g4.g4.g4f#4
}
#mb5={
frr>crrfr<
f#rr>crrf#r<
errbrr>er<
arr>errar<
[2 drrarr>dr< ]
g4.g4.g4.g4.g4g4
g4.g4.g2
}
#mc3={
[2 r[2 BG(a>cf<)] ] r BG(a>cf<)
[2 r[2 BG(a>cf#<)] ] r BG(a>cf#<)
[2 r[2 BG(gb>e<)] ] r BG(gb>e<)
[2 r[2 BG(a>c#e<)] ] r BG(a>c#e<)
[2 r[2 BG(fa>d<)] ] r BG(fa>d<)
[2 r[2 BG(f#a>d<)] ] r BG(f#a>d<)
[2 r[2 BG(g>cd<)] ] r BG(g>cd<)
[2 r[2 BG(gb>d<)] ] r BG(gb>d<)
}
#mc4={
[2 r[2 BG(a>cf<)] ] r BG(a>cf<)
[2 r[2 BG(a>cf#<)] ] r BG(a>cf#<)
[2 r[2 BG(gb>e<)] ] r BG(gb>e<)
[2 r[2 BG(a>c#e<)] ] r BG(a>c#e<)
[2 r[2 BG(fa>d<)] ] r BG(fa>d<)
[2 r[2 BG(f#a>d<)] ] r BG(f#a>d<)
[4 [3 BG(g>cd<) ] ] [2 [2 BG(g>cd<) ] ]
[4 [3 BG(gb>d<) ] ] [2 [2 BG(gb>d<) ] ]
}
#mc5={
[2 r[2 BG(a>cf<)] ] r BG(a>cf<)
[2 r[2 BG(a>cf#<)] ] r BG(a>cf#<)
[2 r[2 BG(gb>e<)] ] r BG(gb>e<)
[2 r[2 BG(a>c#e<)] ] r BG(a>c#e<)
[2 r[2 BG(fa>d<)] ] r BG(fa>d<)
[2 r[2 BG(f#a>d<)] ] r BG(f#a>d<)
[4 [3 BG(g>cd<) ] ] [2 [2 BG(g>cd<) ] ]
[6 'gb>d<' ]
Sub {r2 Expression.onTime(64,0,!2) }
'g1b1>d1<'
}
#mainbass1={
l8
[2 #mb1 ]
[3 #mb1 ]
#mb2
#mb3
}
#mainbass2={
l8
[3 #mb1 ]
#mb2
#mb4
}
#mainbass3={
f4.c4.f4f4f4
e4.e4.a4a4a4
<b4.b4.>e4e4e4
<a4.a4.a4a4a4>
f4.f4.g4g4g4
e4.e4.a4a4a4
d4.d4.d4d4d4
[ g4.g4.g4.g4.g4g4 ]
}
#mainbass4={
l8
[3 #mb1 ]
#mb2
#mb5
}
#mainchord1={
l8
[2 #mc1 ]
[3 #mc1 ]
#mc2
#mc3
}
#mainchord2={
l8
[3 #mc1 ]
#mc2
#mc4
}
#subchord1={
q100
'a1.>c1.f1.<'
'g2.b2.>e2.<'
'a2.>c2.e2.<'
'f2.a2.>d2.<'
'g#2.b2.>e2.<'
'a1.>c1.e1.<'
'a2.>c2.f2.<'
'g2.b2.>f2.<'
'g#2.b2.>e2.<'
'a2.>c2.e2.<'
'a2.>c2.f2.<'
'f#2.a2.>d2.<'
'g1^1>c1^1f1^1<'
'g1^1b1^1>f1^1<'
}
#mainchord3={
l8
[3 #mc1 ]
#mc2
#mc5
}
#mainmelody1={
l8
r-8<g8>
g2^8<g>ce
f4e4d4c8<g8&
g1
^2^4rg>
g2^8<g>ce
f4e4d4c8g8&
g1
^2^8r8g#4
a2^8<a>cf
a4>c4<b4a8g8&
g2.>dc#&
c#2r<c#de
f2^8<fa>c
e2^8<a>ce
q95 d2^4. q80 g&
g2
}
#mainmelody2={
Sub{r4 l28 gab>cdef l8}r2
l8
g2^8<g>ce
f4e4d4c8<g8&
g1
^2^4.g>
g2^8<g>ce
f4e4d4c8g8&
g1
^2^4g#4
a2^8<a>cf
a4>c4<b4a8g8&
g2.>dc#&
c#2r c#de
f2^8<fa>c
e2^8<a>ce
q99
d1^1
g1^4
}
#submelody1={
r-4
q100
Sub {
l40
o2
cc#dd#eff#gg#aa#b>
cc#dd#eff#gg#aa#b>
}
Sub {
o3
ff#gg#aa#b>
cc#dd#eff#gg#aa#b>
cc#dd#ef
}
Sub {
l40
o3
cc#dd#eff#gg#aa#b>
cc#dd#eff#gg#aa#b>
}
Sub {
l40
o4
cc#dd#eff#gg#aa#b>
cc#dd#eff#gg#aa#b>
}
r2
o6
l4
Sub {BG(c1.f1.a2.)}
r2.>c<ba
Sub {BG(<b2.>e2.g2) }
r2e
l2. BG(<ea>c)
l4
Sub {BG(<b2.>d2.f2) }
r2d
Sub {BG(<g#2.b2.>) }
rcd
l1. Sub{BG(<a>c)}
l2.ec
l2. BG(cfa)
l4 Sub { BG(d2.g2.b2) }
r2g
l2. BG(g#b>d<)
l2. BG(ea>c<)<
l4
Sub {'a1.>c1.'}
f2.f#ga
'c1.^4d1.^4g1.^4'
Sub {
l40
o6
cc#dd#eff#gg#aa#b>
}
Sub {
l40
o6
dd#eff#gg#aa#b>
cc#
}
Sub {
l40
o7
gg#aa#b>
cc#dd#eff#
}
r4
<
l1.BG(b>dg)
}
#mainmelody3={
Sub{r4 l28 gab>cdef l8}r2
l8
g2^8<g>ce
f4e4d4c8<g8&
g1
^2^4.g>
g2^8<g>ce
f4e4d4c8g8&
g1
^2^4g#4
a2^8<a>cf
a4>c4<b4a8g8&
g2.>dc#&
c#2r c#de
f2^8<fa>c
e2^8<a>ce
q99
d1^1
Tempo 150
Sub {r2 Expression.onTime(127,64,!2) }
g1^4&
Tempo 90
g2&g8
Tempo 90
<g8>c8e8
q100
f4e4d4c8g8&
g1&g1&g1&g1&
Sub {r2 Expression.onTime(64,0,!2) }
g1
}
#nextmelody2={
Tempo 80
g2&g8<g8>c8e8
f4e4d4c8g8&
g1&g1&g1
}
#nextmelody3={
Tempo 76
g2&g8<g8>c8e8
Tempo 72
f4e4
Tempo 70
d4
Tempo 65
c8g8&
Tempo 50
Sub {r2 Expression.onTime(64,0,!2) }
g1
}
#horn1={
l8
[2 r1]
g2^<g>ce
f4e4d4c<g&
g1
r1>
g2^<b->e-f
g4fe4.c4
f2^<fa>c
f#4a4g4f#e&
e2.b8a8&
a2^fga&
a2^<a>cf
f#2^<a>cf#
g1^1^1r1
}
TR(1)
Time(45:0:0)
Expression(127)
v127
o4
Voice(BrassSection)
#introbrass
Voice(Trumpet)
[4 r1]
o6q80
#mainmelody1
o5
v122
Voice(Strings1)
q85
#mainmelody2
r2
v110
Voice(DrawbarOrgan)
q88
#submelody1
o5
v127
Voice(Strings1)
q88
#mainmelody3
TR(2)
Time(45:0:0)
v110
o4
Expression(127)
Voice(Strings1)
#introbrass
TR(3)
o4
Time(44:0:0)
Expression(127)
v127
Voice(FrenchHorn)
[62 r1]
r2q95
r1
#horn1
>
Sub {r2 Expression.onTime(127,64,!2) }
r1
r4
Sub {#nextmelody2}
r1r1
<
#nextmelody3
TR(8)
Time(45:0:0)
@(ElectricPiano2)//6
o3
v70
#introbass
o4q40
#mainchord1
#mainchord2
q95
v110
Voice(Strings2)
#subchord1
q40
@(ElectricPiano2)//6
v70
#mainchord3
TR(14)
Time(45:0:0)
v1
Voice(SynthStrings1)
o3
#introbass
o4q40
#mainchord1
#mainchord2
q95
v90
Voice(ChoirAahs)
#subchord1
TR(9)
Time(45:0:0)
Expression(127)
v127
o3
Voice(SynthBass2)
#introbass
q60
#mainbass1
#mainbass2
#mainbass3
#mainbass4
TR(10)
Time(45:0:0)
Voice(1)
$k{RandR(999,1728) RandV(124,127) n(Sticks),} //37
$B{RandR(999,1728) RandV(124,127) n(Kick2),}//35
$b{RandR(999,1728) RandV(124,127) n(Kick1),}//36
$S{RandR(999,1728) RandV(120,127) n(Snare2),}//40
$s{RandR(999,1728) RandV(120,127) n(Snare1),}//38
$L{RandR(999,1728) RandV(123,127) n(LowTom2),}//41
$l{RandR(999,1728) RandV(123,127) n(LowTom1),}//43
$M{RandR(999,1728) RandV(123,127) n(MidTom2),}//45
$m{RandR(999,1728) RandV(123,127) n(MidTom1),}//47
$T{RandR(999,1728) RandV(123,127) n(HighTom2),}//48
$t{RandR(999,1728) RandV(123,127) n(HighTom1),}//50
$p{RandR(999,1728) RandV(110,127) n(PedalHiHat),}//44
$h{RandR(999,1728) RandV(115,127) n(ClosedHiHat),}//42
$o{RandR(999,1728) RandV(120,127) n(OpenHiHat),}//46
$r{RandR(999,1728) RandV( 85,100) n(RideCymbal1),}//51
$R{RandR(999,1728) RandV(120,127) n(RideBell),}//53
// Ride cup
$i{RandR(999,1728) RandV( 85,95) n(MuteHighConga),}//62
$I{RandR(999,1728) RandV(120,127) n(OpenHighConga),}//63
$c{RandR(999,1728) RandV(120,127) n(CrashCymbal1),}//49
$C{RandR(999,1728) RandV(120,127) n(CrashCymbal2),}//57
$H{RandR(999,1728) RandV(120,127) n(SplashCymbal),}//55
$A{RandR(999,1728) RandV(120,127) n(ChineseCymbal),}//52
$f{RandR(999,1728) RandV(120,127) n(Slap),}//28
// alt cymbal
$y{RandR(999,1728) RandV(120,127) n(HighBongo),}//60
$Y{RandR(999,1728) RandV(120,127) n(LowBongo),}//61
q100
#rintro1={
Sub { Rythm { y4.Y4.y4.Y4.y4Y4 } }
Sub { Rythm { [16 h8 ] } }
Sub { Rythm { s4.s4.s4.s4.s4s4 } }
Sub { Rythm { b4.b4.b4.b4.b4b4 } }
r4.r4.r4.r4.r4r4
}
#rintro2={
Sub {
[4 Rythm { c6C6H6 } ]
[2 Rythm { c4C4 } ]
Rythm { c1 }
}
[4 Rythm { b6b6b6 } ]
[2 Rythm { b4b4 } ]
Rythm { b1 }
}
[3 #rintro1 ]
#rintro2
#rmain1={
Sub { Rythm { R8r8r8R8r8r8R8r8 } }
Sub { Rythm { b4k8b4k8b4 } }
r1
}
#rmain2={
Sub { Rythm { R8r8r8R8r8r8R8r8 } }
Sub { Rythm { b8T8T8m8m8M8M8l8 } }
Sub { Rythm { b4k8b4k8b4 } }
r1
}
#rmain3={
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { b4k8b4k8b4 } }
r1
}
#rmain31={
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { b4s8b4b8s8 } }
r1
}
#rmain4={
Sub { Rythm { p8T8T8m8m8M8M8l8 } }
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { b4k8b4k8b4 } }
r1
}
#rmain41={
Sub { Rythm { p8T8T8m8m8M8M8l8 } }
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { b4s8b4b8s8 } }
r1
}
#rmain5={
Sub { Rythm { c4.C4.c4.C4.c4C4 } }
Sub { Rythm { [16 h8 ] } }
Sub { Rythm { s4.s4.s4.s4.s4s4 } }
Sub { Rythm { b4.b4.b4.b4.b4b4 } }
r4.r4.r4.r4.r4r4
Sub { Rythm { c4.C4.c4.C4.c2 } }
Sub { Rythm { [13 h8 ] } }
Sub { Rythm { s4.s4.s4.s4.s2 } }
Sub { Rythm { b4.b4.b4.b4.b2 } }
r4.r4.r4.r4.r8 Rythm { m8M8l8 }
}
#rmain6={
Sub { Rythm { c4.C4.c4.C4.c4C4 } }
Sub { Rythm { [16 h8 ] } }
Sub { Rythm { s4.s4.s4.s4.s4s4 } }
Sub { Rythm { b4.b4.b4.b4.b4b4 } }
r4.r4.r4.r4.r4r4
Sub { Rythm { c4.C4.c1 } }
Sub { Rythm { [7 h8 ] } }
Sub { Rythm { s4.s4.s1 } }
Sub { Rythm { b4.b4.b1 } }
r1r1
}
#rsub1={
Sub { Rythm { R4r8R4r8R4R4R4 } }
Sub { Rythm { b4f8b4b8b4f4b4 } }
r1.
}
#rsub2={
Sub { Rythm { R4r8R4r8R4R4R4 } }
Sub { Rythm { b4f8b4b8b4f4b4 } }
r2. r8 Rythm { m8m8M8M8L8 }
}
Expression(127)
[3 #rmain1 ]
#rmain2
Expression(110)
Sub { Rythm{A1} }
[7 #rmain3 ]
#rmain4
Sub { Rythm{c1} }
[7 #rmain3 ]
#rmain4
Sub { Rythm{C1} }
[7 #rmain3 ]
#rmain4
Sub { Rythm{c1} }
[6 #rmain3 ]
#rmain5
Sub { Rythm{C1} }
[3 #rsub1 ]
#rsub2
Sub { Rythm{c1} }
[3 #rsub1 ]
#rmain5
Sub { Rythm{C1} }
[7 #rmain31 ]
#rmain41
Sub { Rythm{c1} }
[6 #rmain31 ]
#rmain6
//////////////////////////////////////////////////////////////////////////////
Tempo 80
#hmelody1={
l12
Sub {Expression.onTime(60,127,!2.) }
g2.gag
Sub {Expression.onTime(127,80,!1.) }
f#8.r32d32 d2 dde
f2. fgf
Sub {r2. Expression.onTime(80,127,!1.) }
f2e8.r16 l24e&ee&e&ef
l12
g2.gag
f#8.r32>d32 d2 dde
f4 fcf a-4 a-e-a-
Sub {r2Expression.onTime(127,0,!4) }
b-b-b- b-fb- b8..r32
}
#hchord1={
l12
Sub {Expression.onTime(60,127,!1) }
Sub {c2<b2>}
Sub {e2. ef#e}
r1
Sub {Expression.onTime(127,80,!1.) }
'<a8.>d8.'r32'<f#32a32' 'f#2a2''f#a''f#a''gb'
'a2.>c2.<' [3 'a>c<']
Sub {r2. Expression.onTime(80,127,!1.) }
'g2^8.>c2^8.<' r16 l24 Sub {g&gg&g&g g} > c&cc&c&c c
'c1e1'
'<a8.>d8.'r32 'f#32a32' 'f#2a2' l12'df#''df#''eg'
'c2a2''c2e-2'
Sub {r2Expression.onTime(127,0,!4.) }
[6 'df'] 'd8..g8..'r32
}
#hmelody2={
q100
Sub {Expression.onTime(95,127,!1) }
Sub{l28 gab>cdef l8}r4
l12
g2.gag
f#8.r32d32 d2 dde
Sub {Expression.onTime(127,105,!1^1) }
f2. fgf
f2e8.r16
Sub {Expression.onTime(105,127,!1.) }
l24e&ee&e&ef
l12
g2.gag
f#8.r32>d32 d2 dde
f4 fcf a-4 a-e-a-
Sub {r2 Expression.onTime(127,0,!4) }
b-b-b- b-fb- b4
}
#harp1={
l12
Expression(127)
rcg> ec<g >gec >c<ge<
rca> d<af# >f#d<a >af#d<
rca- >d<a-f >fd<a- >a-fd<
rcg> ec<g >gec >c<ge<
rcg> ec<g >gec >c<ge<
rca> d<af# >f#d<a >af#d<
rf>c ac<f ra->e->c<e-<a-
Sub {r2 Expression.onTime(127,40,!2) }
rb->f >d<f<b- l32 Sub{g4}Sub{r>d4}Sub{rrf4}Sub{rrrb4}r4
}
#hbass2={
Expression(127)
c1
c1
c1
c1
c1
c1
f2a-2
Sub {r2 Expression.onTime(127,40,!2) }
b-2g4r4
}
TR(1)
Time(132:0:0)
Tempo 60
o5
REV(127)
v70
Expression(127)
Voice(Trombone)
q95
#hmelody1
Voice(Piccolo)
v120
#hmelody2
TR(2)
Time(132:0:0)
Expression(127)
o5
REV(127)
v65
Voice(FrenchHorn)
q95
o5
Sub {#hmelody1}
o5
#hchord1
TR(3)
Time(132:0:0)
Expression(127)
o5
Voice(Strings2)
[7 r1]
r2.
o5
v127
#hmelody2
Voice(Strings1)
v98
o4 Sub {#hmelody2 }
o5 Sub {#hmelody2 }
o6 #hmelody2
TR(4)
Time(132:0:0)
Expression(127)
p64
o5
Voice(OrchestralHarp)
o4
[8 r1]
#PEDALON
v70
#harp1
o4
r4
v110
#harp1
#PEDALOFF
TR(5)
Time(132:0:0)
Expression(127)
p64
o5
Voice(Contrabass)
o3
[8 r1] q95
v80
#hbass2
v127
#hbass2
TR(6)
Time(132:0:0)
Expression(127)
p64
Voice(Timpani)
o4 q100
[16 r1]
v127
#hbass2
TR(10)
Time(132:0:0)
Voice(2)
Expression(127)
$k{RandR(999,1728) RandV(124,127) n(Sticks),} //37
$B{RandR(999,1728) RandV(124,127) n(Kick2),}//35
$b{RandR(999,1728) RandV(124,127) n(Kick1),}//36
$S{RandR(999,1728) RandV(124,127) n(Snare2),}//40
$s{RandR(999,1728) RandV(124,127) n(Snare1),}//38
$c{RandR(999,1728) RandV(124,127) n(CrashCymbal1),}//49
$C{RandR(999,1728) RandV(124,127) n(CrashCymbal2),}//57
[16 r1]
System.vAdd=1
#r1={
q100
v127
Sub { Rythm { c1 } }
// Sub { r4 Expression.onTime(20,127,!2.) Rythm { S2. } }
Rythm {'b1s1'}
v127
Sub { Rythm { C1 } }
// Sub { r4 Expression.onTime(20,127,!2.) Rythm { S2. } }
Rythm {'b1s1'}
}
#r2={
q100
v127
// Sub { [2 r16 Expression.onTime(20,127,!4..) Rythm { S4.. } ] }
Rythm {'b2s2c2'}
v127
Tempo 57
Rythm {'b2s2C2'}
Tempo 55
Rythm {'bs12c12's12s12}
Tempo 50
Rythm { s12s12s12}
Tempo 100
Rythm { 'bsC2' }
}
[3 #r1]
#r2
TR(11)
Time(132:0:0)
Voice(128)
Expression(127)
$S{v127 n(Snare2),}//40
[16 r1]
System.vAdd=1
#r1={
q100
r4 Expression.onTime(20,90,!2.) Rythm { S2. }
r4 Expression.onTime(20,90,!2.) Rythm { S2. }
}
#r2={
[2 r32 Expression.onTime(20,105,!4...) Rythm { S4... } ]
}
[3 #r1]
#r2
//////////////////////////////////////////////////////////////////////////////
#mbc1={
crrgrr>cr<
}
#mcc1={
[2 r[2 BG(g>ce<)] ] r BG(g>ce<)
}
#mb1={
#mbc1
b-rrfrrdr
}
#mc1={
#mcc1
[2 r[2 BG(fb->d<)] ] r BG(fb->d<)
}
#mb2={
e-rrb-rr>e-r<
crrgrr>cr<
}
#mc2={
[2 r[2 BG(gb->e-<)] ] r BG(gb->e-<)
[2 r[2 BG(gb->e<)] ] r BG(gb->e<)
}
#mb3={
frr>crrfr<
f#rr>crrf#r<
errbrr>er<
arr>errar<
[2 drrarr>dr< ]
[2 grr>drrgr< ]
}
#mb4={
frr>crrfr<
f#rr>crrf#r<
errbrr>er<
arr>errar<
[2 drrarr>dr< ]
g4.g4.g4.g4.g4g4
g4.g4.g4.g4.g4f#4
}
#mb5={
frr>crrfr<
f#rr>crrf#r<
errbrr>er<
arr>errar<
[2 drrarr>dr< ]
g4.g4.g4.g4.g4g4
g4.g4.g4.g4.g4g4
}
#mc3={
[2 r[2 BG(a>cf<)] ] r BG(a>cf<)
[2 r[2 BG(a>cf#<)] ] r BG(a>cf#<)
[2 r[2 BG(gb>e<)] ] r BG(gb>e<)
[2 r[2 BG(a>c#e<)] ] r BG(a>c#e<)
[2 r[2 BG(fa>d<)] ] r BG(fa>d<)
[2 r[2 BG(f#a>d<)] ] r BG(f#a>d<)
[2 r[2 BG(g>cd<)] ] r BG(g>cd<)
[2 r[2 BG(gb>d<)] ] r BG(gb>d<)
}
#mc4={
[2 r[2 BG(a>cf<)] ] r BG(a>cf<)
[2 r[2 BG(a>cf#<)] ] r BG(a>cf#<)
[2 r[2 BG(gb>e<)] ] r BG(gb>e<)
[2 r[2 BG(a>c#e<)] ] r BG(a>c#e<)
[2 r[2 BG(fa>d<)] ] r BG(fa>d<)
[2 r[2 BG(f#a>d<)] ] r BG(f#a>d<)
[4 [3 BG(g>cd<) ] ] [2 [2 BG(g>cd<) ] ]
[4 [3 BG(gb>d<) ] ] [2 [2 BG(gb>d<) ] ]
}
#mc5={
[2 r[2 BG(a>cf<)] ] r BG(a>cf<)
[2 r[2 BG(a>cf#<)] ] r BG(a>cf#<)
[2 r[2 BG(gb>e<)] ] r BG(gb>e<)
[2 r[2 BG(a>c#e<)] ] r BG(a>c#e<)
[2 r[2 BG(fa>d<)] ] r BG(fa>d<)
[2 r[2 BG(f#a>d<)] ] r BG(f#a>d<)
[4 [3 BG(g>cd<) ] ] [2 [2 BG(g>cd<) ] ]
[4 [3 BG(gb>d<) ] ] [2 [2 BG(gb>d<) ] ]
}
#mainbass1={
l8
[3 #mb1 ]
#mb2
#mb3
}
#mainbass2={
l8
[3 #mb1 ]
#mb2
#mb4
}
#mainbass4={
l8
[3 #mb1 ]
#mb2
#mb5
}
#mainchord1={
l8
[3 #mc1 ]
#mc2
#mc3
}
#mainchord2={
l8
[3 #mc1 ]
#mc2
#mc4
}
#mainchord3={
l8
[3 #mc1 ]
#mc2
#mc5
}
#mainmelody1={
l8
Tempo 70
q95<g4>
Tempo 180
q80g2^8<g>ce
f4e4d4c8<g8&
g1
^2^4.g>
g2^8<g>ce
f4e4d4c8g8&
g1
^2^8r8g#4
a2^8<a>cf
a4>c4<b4a8g8&
g2.>dc#&
c#2r<c#de
f2^8<fa>c
e2^8<a>ce
q95 d2^4.q80 g&
g2
}
#mainmelody2={
r4Sub{l28 gab>cdef l8}r4
l8
g2^8<g>ce
f4e4d4c8<g8&
g1
^2^4.g>
g2^8<g>ce
f4e4d4c8g8&
g1
^2^4.g#
a2^8<a>cf
a4>c4<b4a8g8&
g2.>dc#&
c#2r c#de
f2^8<fa>c
e2^8<a>ce
q99
d1^1
g1^4
}
#mainmelody3={
r4Sub{l28 gab>cdef l8}r4
l8
g2^8<g>ce
f4e4d4c8<g8&
g1
^2^4rg>
g2^8<g>ce
f4e4d4c8g8&
g1
^2^8rg#4
a2^8<a>cf
a4>c4<b4a8g8&
g2.>dc#&
c#2r c#de
f2^8<fa>c
e2^8<a>ce
q99
Tempo 170
d1^1
Tempo 160
g1^2
Tempo 140
g6a6b6
Tempo 180
>c1^1
}
#horn1={
l8
[2 r1]
g2^<g>ce
f4e4d4c<g&
g1
r1>
g2^<b->e-f
g4fe4.c4
f2^<fa>c
f#4a4g4f#e&
e2.b8a8&
a2^fga&
a2^<a>cf
f#2^<a>cf#
g1^1^1r1
}
TR(1)
Time(155:4:0)
Expression(127)
v127
Voice(Trumpet)
o6q80
#mainmelody1
o5
Voice(Strings1)
v115
q85
#mainmelody2
r4
Voice(Strings1)
v105
q85
o4 Sub { #mainmelody3 }
o5 Sub { #mainmelody3 }
o6 #mainmelody3
TR(2)
Time(155:4:0)
Expression(127)
o4
Voice(GrandPiano)
[34 r1]r4
o5
Sub {
l16
[3
BF(c)BF(c)BF(d)BF(e)BF(f)BF(g)BF(a)BF(b)>
BF(c)BF(d)BF(e)BF(f)BF(g)BF(a)BF(b)>BF(c)
<
BF(b-)BF(b-)BF(a)BF(g)BF(f)BF(e-)BF(d)BF(c)<
BF(b-)BF(a)BF(g)BF(f)BF(e-)BF(d)BF(c)<BF(b-)
>
]
BF(e-)BF(e-)BF(f)BF(g)BF(a-)BF(b-)>BF(c)BF(d)
BF(e-)BF(f)BF(g)BF(a-)BF(b-)>BF(c)BF(d)BF(e-)
BF(c)BF(c)<BF(b-)BF(a)BF(g)BF(f)BF(e)BF(d)
BF(c)<BF(b-)BF(a)BF(g)BF(f)BF(e)BF(d)BF(c)
BF(f)BF(f)BF(g)BF(a)BF(b-)>BF(c)BF(d)BF(e)
BF(f)BF(g)BF(a)BF(b-)>BF(c)BF(d)BF(e)BF(f)
BF(f#)BF(f#)BF(e)BF(d)BF(c)<BF(b)BF(a)BF(g)
BF(f#)BF(e)BF(d)BF(c)<BF(b)BF(a)BF(g)BF(f#)
BF(e)BF(e)BF(f#)BF(g)BF(a)BF(b)>BF(c#)BF(d#)
BF(e)BF(f#)BF(g)BF(a)BF(b)>BF(c#)BF(d#)BF(e)
BF(c#)BF(c#)<BF(b)BF(a)BF(g)BF(f#)BF(e)BF(d)
BF(c#)<BF(b)BF(a)BF(g)BF(f#)BF(e)BF(d)BF(c#)
BF(d)BF(d)BF(e)BF(f)BF(g)BF(a)BF(b)>BF(c#)
BF(d)BF(e)BF(f)BF(g)BF(a)BF(b)>BF(c#)BF(d)
BF(c)BF(c)<BF(b)BF(a)BF(g)BF(f#)BF(e)BF(d)
BF(c)<BF(b)BF(a)BF(g)BF(f#)BF(e)BF(d)BF(c)
}
[14 r1]
o4l4
[4 'g.>c.d.<'][2 'g>cd<']
[4 'g.b.>d.<']
Sub { [3 'g6b6>d6<'] } r2
[4 'g.>c.e.<'][2 'g>ce<']
[4 'f.b-.>d.<'][2 'fb->d<']
'g2.>c2.e2.<' [3 'g12>c12e12<']
'g4>c4e4'
TR(3)
Time(155:4:0)
Expression(127)
o5
v127
Voice(FrenchHorn)
[15 r1]
r2q95
r2.
#horn1
TR(8)
Time(155:4:0)
Expression(127)
@(ElectricPiano2)//6
v70
o4q40
r4
#mainchord1
#mainchord2
q40
#mainchord3
l4
[4 'g.>c.e.<'][2 'g>ce<']
[4 'f.b-.>d.<'][2 'fb->d<']
'g2.>c2.e2.<' [3 'g12>c12e12<']
'g4>c4e4'
TR(9)
Time(155:4:0)
Expression(127)
v127
o3
Voice(SynthBass2)
r4
q60
#mainbass1
#mainbass2
#mainbass4
[2 crrgrr>cr< ]
[2 <b->rrfrrb-r ]
c2.c12c12c12 c4
TR(10)
Time(155:4:0)
Voice(1)
$k{RandR(999,1728) RandV(124,127) n(Sticks),} //37
$B{RandR(999,1728) RandV(124,127) n(Kick2),}//35
$b{RandR(999,1728) RandV(124,127) n(Kick1),}//36
$S{RandR(999,1728) RandV(120,127) n(Snare2),}//40
$s{RandR(999,1728) RandV(120,127) n(Snare1),}//38
$L{RandR(999,1728) RandV(123,127) n(LowTom2),}//41
$l{RandR(999,1728) RandV(123,127) n(LowTom1),}//43
$M{RandR(999,1728) RandV(123,127) n(MidTom2),}//45
$m{RandR(999,1728) RandV(123,127) n(MidTom1),}//47
$T{RandR(999,1728) RandV(123,127) n(HighTom2),}//48
$t{RandR(999,1728) RandV(123,127) n(HighTom1),}//50
$p{RandR(999,1728) RandV(110,127) n(PedalHiHat),}//44
$h{RandR(999,1728) RandV(115,127) n(ClosedHiHat),}//42
$o{RandR(999,1728) RandV(120,127) n(OpenHiHat),}//46
$r{RandR(999,1728) RandV( 85,100) n(RideCymbal1),}//51
$R{RandR(999,1728) RandV(120,127) n(RideBell),}//53
// Ride cup
$i{RandR(999,1728) RandV( 85,95) n(MuteHighConga),}//62
$I{RandR(999,1728) RandV(120,127) n(OpenHighConga),}//63
$c{RandR(999,1728) RandV(120,127) n(CrashCymbal1),}//49
$C{RandR(999,1728) RandV(120,127) n(CrashCymbal2),}//57
$H{RandR(999,1728) RandV(120,127) n(SplashCymbal),}//55
$A{RandR(999,1728) RandV(120,127) n(ChineseCymbal),}//52
// alt cymbal
$y{RandR(999,1728) RandV(120,127) n(HighBongo),}//60
$Y{RandR(999,1728) RandV(120,127) n(LowBongo),}//61
#rmain1={
Sub { Rythm { R4r8R4r8R8r8 } }
Sub { Rythm { b4s8b4s8b4 } }
r1
}
#rmain2={
Sub { Rythm { R4r8R4r8R8r8 } }
Sub { Rythm { b8T8T8m8m8M8M8l8 } }
Sub { Rythm { b4s8b4s8b4 } }
r1
}
#rmain3={
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { b4s8b4b8s4 } }
r1
}
#rmain31={
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { b4s8b4b8s4 } }
r1
}
#rmain4={
Sub { Rythm { p8T8T8m8m8M8M8l8 } }
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { b4s8b4b8s4 } }
r1
}
#rmain41={
Sub { Rythm { p8T8T8m8m8M8M8l8 } }
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { b4s8b4b8s4 } }
r1
}
#rmain5={
Sub { Rythm { c4.C4.c4.C4.c4C4 } }
Sub { Rythm { [16 h8 ] } }
Sub { Rythm { s4.s4.s4.s4.s4s4 } }
Sub { Rythm { b4.b4.b4.b4.b4b4 } }
r4.r4.r4.r4.r8 Rythm { m8M8l8 }
Sub { Rythm { c4.C4.c4.C4.c2 } }
Sub { Rythm { [13 h8 ] } }
Sub { Rythm { s4.s4.s4.s4.s2 } }
Sub { Rythm { b4.b4.b4.b4.b2 } }
r4.r4.r4.r4.r8 Rythm { m8M8l8 }
}
#rmain6={
Sub { Rythm { c4.C4.c4.C4.c4C4 } }
Sub { Rythm { [16 h8 ] } }
Sub { Rythm { s4.s4.s4.s4.s4s4 } }
Sub { Rythm { b4.b4.b4.b4.b4b4 } }
r4.r4.r4.r4.r4r4
Sub { Rythm { c4.C4.c1 } }
Sub { Rythm { [7 h8 ] } }
Sub { Rythm { s4.s4.s1 } }
Sub { Rythm { b4.b4.b1 } }
r1r1
}
#rsub1={
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { I4i8 I4i8 I8i8 } }
Sub { Rythm { b4s8b4b8s8 } }
r1
}
#rsub2={
Sub { Rythm { [4 p8o8] } }
Sub { Rythm { I4i8 I4i8 I8i8 } }
Sub { Rythm { b4s8b4b8s8 } }
r4 Rythm { [4 m16] [4 M16] [4 L16] }
}
r4
Expression(110)
Sub { Rythm{A1} }
[7 #rmain3 ]
#rmain4
Sub { Rythm{c1} }
[7 #rmain3 ]
#rmain4
Sub { Rythm{C1} }
[7 #rmain3 ]
#rmain4
Sub { Rythm{c1} }
[6 #rmain3 ]
#rmain5
Sub { Rythm{C1} }
[7 #rsub1 ]
#rsub2
Sub { Rythm{C1} }
[5 #rsub1 ]
#rsub2
#rmain5
Sub { Rythm{C1} }
[2 #rsub1 ]
Sub { Rythm{c1} }
[2 #rsub1 ]
Rythm {
'b4s4c4''b2s2C2'
'b12s12c12'
'b12s12C12'
'b12s12c12'
'b4s4C4'
}
End
##############################################################################
# TiMidiTy Config (v2.0)
dir ../patches/sf2_all
dir ../patches/sf2_all/atomic
dir ../patches/sf2_all/fluid3
dir ../patches/sf2_all/realgs
dir ../patches/sf2_all/ultimate
dir ../patches/sf2_all/scc
dir ../patches/sf2_all/GMRBasico
dir ../patches/sf2_all/ForClassicalMusic
dir ../patches/sf2_part/drumkit
dir ../patches/sf2_part/drum
dir ../patches/sf2_part/piano
dir ../patches/sf2_part/famicom
dir ../patches/sf2_all/musix
dir ../patches/sf2_all/Giant
dir ../patches/sf2_part/ORCHESTRAL
dir "../patches/sf2_part/Sonatina Symphonic Orchestra"
##############################################################################
bank 0
# vib
11 %font "GMR Basico1.1.sf2" 0 11 amp=50 rate=245:40:40:40:40:40 tremolo=0:72:240
# brasssele
61 %font JClive21.sf2 0 61 amp=63
# string1
# 48 %font atomic.sf2 0 48 amp=110 rate=255:105:105:105:105:105
48 %font "Titanic_200_GMGS_1.2.sf2" 0 48 amp=280 keep=env rate=255:105:105:105:105:105
# Synth Strings1 -> electric piano
5 %font Piano_Yamaha_DX7.sf2 0 0 amp=100 keep=loop rate=238:120:120:120:120:120
# string2
49 %font "5.7bank2.sf2" 0 49 amp=30 pan=+10 rate=255
# trumpet
# 56 %font atomic.sf2 0 56 amp=70 rate=252:150:150:150:150:150
# 56 %font "Solo Trumpet.sf2" amp=110 0 0 rate=252:150:150:150:150:150
56 %font "Titanic_200_GMGS_1.2.sf2" 4 56 amp=180 rate=252
# dr organ
# 16 %font atomic.sf2 0 16 amp=70
16 %font Titanic_200_GMGS_1.2.sf2 0 16 amp=82 tremolo=0:65:210
# piccolo
# 72 %font Titanic_200_GMGS_1.2.sf2 0 70 amp=75 keep=loop
# 72 %font FluidR3GM.SF2 0 70 amp=100 keep=loop
72 %font JClive21.sf2 0 72 amp=50 keep=loop
# flute
73 %font "GMR Basico1.1.sf2" 0 73 amp=25 keep=loop
# horn
60 %font Titanic_200_GMGS_1.2.sf2 0 60 amp=75
60 %font Evanessence2.sf2 0 60 amp=75 keep=loop
# bass
39 %font Titanic_200_GMGS_1.2.sf2 0 33 amp=165 keep=loop
# oboe
68 %font Titanic_200_GMGS_1.2.sf2 0 68 amp=65 keep=loop tune=+12
# trombone
57 %font Evanessence2.sf2 0 57 amp=250
# contora
43 %font "GMR Basico1.1.sf2" 0 48 amp=85 pan=+10
# harp
46 %font "GMR Basico1.1.sf2" 0 46 amp=75 pan=+10 rate=245:3:3:20:20:20
# timpani
47 %font "GMR Basico1.1.sf2" 0 47 amp=150 pan=-40 tune=-12 # rate=245:3:3:20:20:20
# piano
# 0 %font ClavinovaPiano1V2.0.sf2 0 0 amp=170
0 %font acoustic_grand_piano_ydp_20080910.sf2 0 0 amp=295
# new age
88 %font "GMR Basico1.1.sf2" 0 88 amp=100 keep=loop tune=-12
# synth
80 %font Famicom.sf2 0 5 amp=55 keep=loop
# Ah
# 52 %font Titanic_200_GMGS_1.2.sf2 0 52 amp=450 keep=loop
52 %font FluidR3GM.SF2 0 52 amp=105 keep=loop
##############################################################################
# Standard drums
drumset 0
# brash
# 28 %font Titanic_200_GMGS_1.2.sf2 128 40 31 amp=280 tune=-1
# 28 %font drumkit1.3XG.sf2 128 40 31 amp=255
# 28 %font Evanessence2.sf2 128 40 38 amp=250
28 %font FluidR3GM.SF2 128 40 38 amp=210
# bd
35 %font FluidR3GM.SF2 128 49 35 amp=300
36 %font FluidR3GM.SF2 128 27 35 amp=150
35 %font FluidR3GM.SF2 128 49 35 amp=300
36 %font Titanic_200_GMGS_1.2.sf2 128 17 35 amp=200
35 %font "0_Yamaha9000.sf2" 128 0 33 amp=230 pan=0 tune=+0
36 %font "0_Yamaha9000.sf2" 128 0 33 amp=230 pan=0 tune=+0
# stick
31 %font Titanic_200_GMGS_1.2.sf2 128 0 31 amp=280 tune=-1
# 31 %font drumkit1.3XG.sf2 128 0 31 amp=255
31 %font "0_Yamaha9000.sf2" 128 0 57 amp=145 pan=0 tune=+0
# sd
# 38 %font Titanic_200_GMGS_1.2.sf2 128 0 40 amp=160
# 40 %font Titanic_200_GMGS_1.2.sf2 128 0 40 amp=140
38 %font drumkit1.3XG.sf2 128 9 38 amp=170 tune=+5
40 %font drumkit1.3XG.sf2 128 9 40 amp=170 tune=+5
38 %font "0_Yamaha9000.sf2" 128 0 32 amp=135 pan=0 tune=+0
40 %font "0_Yamaha9000.sf2" 128 0 32 amp=135 pan=0 tune=+0
# cymbal
# 49 %font Titanic_200_GMGS_1.2.sf2 128 0 49 amp=200 pan=-80 tune=+0
# 57 %font Titanic_200_GMGS_1.2.sf2 128 0 49 amp=200 pan=+80 tune=+0
# 55 %font Titanic_200_GMGS_1.2.sf2 128 0 49 amp=200 pan=0 tune=+0
49 %font "0_Yamaha9000.sf2" 128 0 38 amp=180 pan=-50 tune=+0
57 %font "0_Yamaha9000.sf2" 128 0 38 amp=180 pan=+99 tune=+0
55 %font "0_Yamaha9000.sf2" 128 0 38 amp=180 pan=30 tune=+0
# chinise -> gong
52 %font Titanic_200_GMGS_1.2.sf2 128 0 52 amp=220 pan=0 tune=-2
# 52 %font FluidR3GM.SF2 128 0 52 amp=230 pan=30 tune=+0
# 52 %font "0_Yamaha9000.sf2" 128 0 69 amp=210 pan=30 tune=+0
# alt classic cymbal
60 %font Titanic_200_GMGS_1.2.sf2 128 48 55 amp=150 pan=-25 tune=+0
61 %font Titanic_200_GMGS_1.2.sf2 128 48 55 amp=150 pan=+70 tune=+0
60 %font "0_Yamaha9000.sf2" 128 0 36 amp=115 pan=-70 tune=+2
61 %font "0_Yamaha9000.sf2" 128 0 35 amp=115 pan=60 tune=+5
# ride
# 51 %font Titanic_200_GMGS_1.2.sf2 128 0 51 amp=150 pan=+70 tune=+0
# 53 %font Titanic_200_GMGS_1.2.sf2 128 0 51 amp=320 pan=+70 tune=+0
51 %font "0_Yamaha9000.sf2" 128 0 53 amp=60
53 %font "0_Yamaha9000.sf2" 128 0 53 amp=92
# ride cup
# 62 %font "GMR Basico1.1.sf2" 128 0 53 amp=160 pan=+70 tune=+0
# 63 %font "GMR Basico1.1.sf2" 128 0 53 amp=360 pan=+70 tune=+0
# 53 %font drumkit1.3XG.sf2 128 0 53 amp=460 pan=+70 tune=+0
62 %font "0_Yamaha9000.sf2" 128 0 43 amp=190
63 %font "0_Yamaha9000.sf2" 128 0 43 amp=190
#hh
#extension altassign 42 44 46
42 %font "Titanic_200_GMGS_1.2.sf2" 128 17 42 amp=200 pan=0 tune=+0 rate=:50:50:50:120:120
44 %font "GMR Basico1.1.sf2" 128 17 44 amp=55 pan=0 tune=+0
46 %font "GMR Basico1.1.sf2" 128 17 46 amp=60 pan=0 tune=+0
# hihat
# close
42 %font "0_Yamaha9000.sf2" 128 0 50 amp=110
# pedal
44 %font "0_Yamaha9000.sf2" 128 0 45 amp=110
# open
46 %font "0_Yamaha9000.sf2" 128 0 51 amp=115
# tom
41 %font Titanic_200_GMGS_1.2.sf2 128 17 41 amp=180 tune=+0
43 %font Titanic_200_GMGS_1.2.sf2 128 17 43 amp=180 tune=+2
45 %font Titanic_200_GMGS_1.2.sf2 128 17 45 amp=180 tune=+4
47 %font Titanic_200_GMGS_1.2.sf2 128 17 47 amp=180 tune=+6
48 %font Titanic_200_GMGS_1.2.sf2 128 17 48 amp=180 tune=+8
50 %font Titanic_200_GMGS_1.2.sf2 128 17 50 amp=180 tune=+10
# 41 %font "0_Yamaha9000.sf2" 128 0 77 amp=170 tune=-2
# 43 %font "0_Yamaha9000.sf2" 128 0 77 amp=170 tune=+2
# 45 %font "0_Yamaha9000.sf2" 128 0 72 amp=170 tune=+1
# 47 %font "0_Yamaha9000.sf2" 128 0 72 amp=170 tune=+5
# 48 %font "0_Yamaha9000.sf2" 128 0 69 amp=170 tune=+5
# 50 %font "0_Yamaha9000.sf2" 128 0 69 amp=170 tune=+8
##############################################################################
# orchset drums
drumset 1
# bd
36 %font Titanic_200_GMGS_1.2.sf2 128 48 35 amp=360
36 %font "Percussion - All Percussion.sf2" 128 0 36 amp=470
# sd
38 %font Titanic_200_GMGS_1.2.sf2 128 48 40 amp=370 tune=-5
# 40 %font drumkit1.3XG.sf2 128 9 40 amp=170 tune=+5
38 %font "Percussion - All Percussion.sf2" 128 0 40 amp=460
# cymbal
# 49 %font Titanic_200_GMGS_1.2.sf2 128 48 55 amp=220 pan=-25 tune=+0
# 57 %font Titanic_200_GMGS_1.2.sf2 128 48 55 amp=260 pan=+70 tune=+0
49 %font "Percussion - All Percussion.sf2" 128 0 45 amp=165
57 %font "Percussion - All Percussion.sf2" 128 0 45 amp=165
bank 0
127 %font "Percussion - All Percussion.sf2" 128 0 39 amp=400